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Laura Makabresku

The nostalgic, saturated, slightly grainy photography of Laura Makabresku calls to mind the highly tactile quality of vintage snapshots and the beautifully composed splendor of Andrei Tarkovsky vignettes. Ordinary yet marvelous household objects, teapots, vases of wildflowers, religious items, candleholders, a bowl of strawberries – a room, steeped in honeyed, sweetly melancholy and golden light, from which the warmth of a remembered family member has just been withdrawn: all these well-worn fragments of a life add up to the ineluctable magic of the beloved everyday. They are visions of a lost yet imperishable past seen through the magnifying haze of memory.

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Fox and Raven: The Photography of Laura Makabresku

Laura Makabresku’s photography reminds me of stills from some lovely film, the type of utterly modern movie that’s in love with the past and seeks, with minimalism and airy grace, to elucidate a series of enigmatic, symbolic scenes in an atmosphere of restrained horror, an exquisite nightmare slow to unfold and penetratingly beautiful. The milky, delicate, startlingly clear palette feels both nostalgic and almost clinical, combining a severe elegance with a soft, ethereal fairytale quality. The imagery is enchanting and sinister, quietly eerie and lambent. It is like a tale of supernatural horror, of witchcraft, of woods, of murder, of treachery, of spellbound sleep, of ritual sacrifice – all watched and attended by the harbingers, animals of ill omen, foxes and crows and goats.

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